[START OF CUTSCENE]. Alice wakes up to two fishermen in front of her. | |
Fisherman #1 | Caught me very own river nymph! |
---|---|
Fisherman #2 | Saints be praised, He works in mysterious ways, eh? Got plans for her? |
Fisherman #1 | Take her over to the Mangled Mermaid, rent a bed. |
Fisherman #2 | Hard to woo a girl amidst a brawl. |
Alice | What do you think you're doing? |
Fisherman #1 | What comes natural like. |
Alice | Not natural to me, get away! |
[END OF CUTSCENE]. |
[START OF CUTSCENE]. Alice goes to the side of the Mangled Mermaid and sees Nan and Jack in a heated argument. | |
Nan Sharpe | Where's my money you fucking spank bucket? |
---|---|
Jack Splatter | Get those fat-arsed whores out on the street or I'll come up and brain ya! |
Nan Sharpe | Shut up you cocker-snipe, you'll never get past Long Tim. |
Jack Splatter | I'll get what you and your floozies owe me, Miss Ladybird. See if I don't! |
Nan Sharpe | Maybe you noticed I'm not pissin' me drawers at the prospect! Ah, Alice Liddell! You'll make a nice change! Bring your disheveled self up here! |
[END OF CUTSCENE]. Alice goes in the back of the Mermaid and sees Long Tim dead on the ground. She goes up the second floor and goes to Nan's room. [START OF CUTSCENE]. She sees Jack beating up Nan. | |
Nan Sharpe | [Sobbing]. |
Jack Splatter | You don't give me what I want, I'll burn this dump of yours down to the ground! |
Alice | Go away! She's done no harm! |
Jack Splatter | She hurt me feelings. |
Jack knocks the lamp off the table and goes to Alice and knocks her out. While unconscious, Alice hears voices around her. | |
Lizzie | Out like a snuffed candle, sleeps the sleep... |
Mrs. Liddell | Help us, Alice! |
Arthur | Fire, Alice! |
[END OF CUTSCENE]. |
[START OF CUTSCENE]. Alice sees the HMS Gryphon at the end of Tundraful with Mock Turtle in it. She goes in the bottle through the crack. | |
Mock Turtle | You better come aboard, Alice. We're doomed of course. |
---|---|
Alice | What, there's no hope then? |
Mock Turtle | Oh, there's an infinite amount of hope, but none for us. Now, get up here! |
[END OF CUTSCENE]. [START OF 2D CUTSCENE]. | |
Mock Turtle | Confounded beasts, they want my ship! |
Alice | I think you're more to their tastes. |
Mock Turtle | Never, we're almost relatives! |
Alice | You're related to soup, Admiral. |
Mock Turtle | I've an idea! We leave this mayhem and go to Carpenter's show! It's better than a gaff. Carpenter promises what we don't take seriously can't harm us! |
Alice | Best dive now Admiral, or the sharks will have us for lunch. Ahhhhh! |
[END OF 2D CUTSCENE]. [START OF CUTSCENE]. The scene focuses on the head of the Gryphon that was separated from the ship and the shifts to Alice laying on the ground while the Mock Turtle is crying. | |
Alice | Ow... my body aches all over! We submerged too quickly! |
Mock Turtle | My ship's a wreck, and I am too. |
Alice | Admirals go down with their ships. In any case, I never knew you for a sailor. If memory serves you were stationmaster of the Looking Glass Line. |
[START OF 2D CUTSCENE]. | |
Mock Turtle | Hmmm. Sacked from the railroad without the option, redundant the nitwits said. Never a holiday, loyal as a bulldog. "Going in a different direction" my Aunt Fanny, if I had one. Going off the rails more like! Bloody disaster. Now, I'm shipless. The old railroad's dead, and this new thing's a monstrosity. Never runs on time. Engineers asleep at the switch! What I don't know about it can't hurt me. Say no more, nod's as good as a wink! |
[END OF 2D CUTSCENE]. | |
Mock Turtle | Change the subject. We avoid speaking about the thing whose name should not be spoken. |
Alice | Hearing something useful about this new train would make for a change? |
Mock Turtle | You don't respect the suffering of others. Go ask your questions and smart remarks to Caterpillar! |
Alice | I'm sorry, Admiral, really. Please tell me what you know about the train? |
Mock Turtle | I'll just say we've escaped a contaminating corruption. Count yourself lucky to be down here. |
Alice | But I don't want to escape. I want to stop it! I must stop it to save myself, and Wonderland too! |
Mock Turtle | Nonsense. Speak more nonsense, diversions rule the day. The show must go on and so on. Speaking of shows- |
Alice | We weren't. |
Mock Turtle | Yes, well, nevermind. Here's a ticket for the show Carpenter's mounting. Use it. |
[END OF CUTSCENE]. |
[START OF 2D CUTSCENE]. | |
Alice | I was the last one in the library, the night of the fire. The log I added to the grate was dead when I went upstairs to bed with Dinah. If it wasn't, I may be responsible for my family's deaths! |
---|---|
[END OF 2D CUTSCENE]. |
[START OF CUTSCENE]. Alice comes in the main theatre of Dreary Lane. | |
Carpenter | Ah, Alice. Delighted to see you again, my dear. Your arrival is filled with fortunate-ality itself. |
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Alice | Really? I... didn't even know- |
Carpenter | Never mind. My pregnant show is about to pop... It requires only a medicament of your helpful-osity. |
Alice | I don't have much experience, but I do need to reconstruct my- |
Carpenter | We can barter. I have screw-driver nearly new, or a nice hammer, if you're more interested in... |
Alice | There's a train that's corrupting Wonderland and I'm looking for help to restrain or destroy it. |
Carpenter | Most vexatatious, no doubt. We'll address that ah, monstrosity directly, that's to say, eventually. Now, let's intermediate more important matters. Due to a logisterical foul-up, some of the show's requisites need to be gathered. |
[START OF 2D CUTSCENE]. | |
Carpenter | The munificent script needs fetching. The writer's overly imaginative and is exploring several endings. Then you'll need to assemble the show's tune-deaf music. And finally gather our stars: the show's tasty... nay tasteful performers. You should leave now. The essentiality of haste is essential. |
[END OF 2D CUTSCENE]. | |
Alice | It hardly seems you're ready for the show. Why can't you assemble these things yourself? |
Carpenter | An impresario has arrangements, ducks in a row, fish to fry, coals to Newcastle, etcetera etcetera. Fetch the script from the writer, then we can batter or clatter or natter as the case may be. |
Alice | Is the writer cantankerous? |
Carpenter | To a personage of your distinguished repudiation? I blush at the notionality. He's an octopus, by the by. Lives over that way. Tata! |
[END OF CUTSCENE]. |
[START OF CUTSCENE]. Alice arrives in Inky Veil to fetch the script from the Octopus. | |
Alice | Place smells like a ripe distillery, with a whiff of halitosis and urine. |
---|---|
Octopus | That's the scent of unrecognized genius! So piss off! |
Alice | More empties than a Dublin brewery. The Carpenter sent me. |
Octopus | For starters, the Carpenter is a pusillanimous, parsimonious, pettifogging moron. |
Alice | That is maybe, but he sent me for the script. I need- |
Octopus | Your needs are shite! I need a drink! Who cares. I need those responsible for my abortive career in chains, no joy. I need to know what love is! The world is mum. Just now, I need a dose of hide and seek. Find me thrice, fair maid, be quick about it. Then we can deal. |
[END OF CUTSCENE]. | |
After finding the Octopus the first time. | |
Octopus | This is too easy! |
After finding the Octopus the second time. | |
Octopus | Oh, you have me now, won't have me again. |
After finding the Octopus thrice. | |
Octopus | It's all in the game. A fair caught! You've won! You're a good sport, and no one died! Join me in the library. Unlike some, I don't welsh. |
Octopus | The Carpenter commissioned a song and dance number on morality, art and good sense be damned. He demands mirth and silliness, and a straight debauchery all round. The Walrus will do a hero turn as Death. Imagine! I'll bring the script to the theatre, you can be on yer way. No doubt Carpenter's got you collecting piscine divas for the musical portion, the man rarely hires a proper talent. Some fish can sing! But not all. |
[END OF CUTSCENE]. |
[START OF CUTSCENE]. Alice talks to the Music Fish. | |
Alice | I'm not terribly musical, but you seem out of tune. |
---|---|
Music Fish | It's not my fault! I can't hear my notes! The pipes are obstructed! |
Alice | I can see that, why not do something about it? |
Music Fish | And endanger my vocal chords? You might do it for me? |
Alice | Everyone here has an excuse for doing nothing! Reminds me of the asylum... |
[END OF CUTSCENE]. [START OF CUTSCENE]. After Alice clears all the instruments of Ruin and they start playing the tunes. | |
Music Fish | There's something wrong! I can't find the time for the notes! |
Alice | It's surely not lost, perhaps mislayed. I suppose I'll have to help you carry the tune. Better be light. |
After finishing the musical challenge mini-game. | |
Music Fish | The audience will be grateful for your efforts! |
Alice | I doubt it. |
Music Fish | The performers' meager efforts will be enhanced by my musical score! Please wake them with this exciting news! |
[END OF CUTSCENE]. |
[START OF CUTSCENE]. After finding the first Oyster Starlet. | |
Oyster #1 | [Yawns] You've just interrupted my dreams! Oh well, off to the show I suppose. |
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After finding the second Oyster Starlet. | |
Oyster #2 | We still need the star! The star! The star! |
After finding the main star, Alice must play the sliding puzzle mini-game. | |
Star Oyster | Help me, Alice! This poster for the show, it's ruined! If I can't put it back together, Carpenter will grind my pearls! |
After completing the puzzle. | |
Star Oyster | Let us resume our place, before our adoring fans, at the theatre. |
[END OF CUTSCENE]. |
[START OF CUTSCENE]. Carpenter and Walrus comes to the Lost Souls Locker and destroys the path leading to the Dreary Lane Theatre, stranding Alice in the graveyard. | |
Alice | My gosh you're not an impresario, you're a killer! The mastermind of a criminal enterprise! |
---|---|
Carpenter | This world is not so either/or Alice. |
Alice | And I've done your bidding. |
Carpenter | You did a few errands, got your hands dirty. Big deal. The show distrac-ulates the crowd. A shame you'll miss it. You need to deal with these sailors. It's your time. |
Walrus | Time? Time? The time has come to talk of ships and eh, eh, and vegetables and royalty and eh, and whether pigs have wings and so on. |
Carpenter | Enough of that, Walrus. You start wailing about there being too much sand on the beach, I'll have your blubber for breakfast! |
Alice | Shame on you Carpenter! You made a promise! |
Carpenter | I had no choice. One can't always do as one would like. I would have thought you'd know that by now. |
[END OF CUTSCENE]. |
[START OF CUTSCENE]. Alice goes to a graveyard at the center and sees the Drowned Captain. | |
Drowned Captain | Friend or foe? Please Alice, help me fulfill my pledge! I need my men! They may be hostile at first, but their true souls are trapped! You must release them! |
---|---|
Alice | Do they want to be at peace? |
Drowned Captain | They do not know their own minds. What's true of the living is often true of the dead. |
[END OF CUTSCENE]. After defeating the first Lost Soul. | |
Alice | Wait, come back here! I'm a savior, of a sort! |
After destroying the chest where the soul of the first Lost Soul got trapped in. | |
Drowned Sailor #1 | Grateful thanks for releasing me, I never dreamed... |
After completing the first crypt. | |
Drowned Captain | That's it, that's it! Good girl! |
After defeating the second Lost Soul. | |
Alice | How can a soul be so ignorant? I'm an answered prayer! |
After destroying the chest where the soul of the second Lost Soul is trapped. | |
Drowned Sailor #2 | Thanks for reuniting me with my ship! |
After completing the second crypt. | |
Drowned Captain | Hurry along, Alice. |
After defeating the last Lost Soul. | |
Alice | Do angels have this much trouble? |
After destroying the chest his soul is trapped in. | |
Drowned Sailor #3 | That's the way, ah? It's back to the ship for me! |
Alice gets transported outside of the crypt where the Drowned Captain and his crew thanks her. | |
Drowned Captain | Many thanks, Alice! Be as good to yourself as you've been to us! Haul anchor and heave to, men! It's the wide and glorious main for us! |
[END OF CUTSCENE]. |
[START OF CUTSCENE]. Alice makes it back just in time before the show starts. | |
Carpenter | Ladies and gentlemen! Welcome to the shoooooooow! |
---|---|
Carpenter sits right next to Alice. | |
Alice | Rather bizarre show. |
Oyster Starlets enters the stage while dancing. When the main star reaches the center stage, Walrus squashes her by landing on top of her. The backup dancers are startled and started to tremble in fear. | |
Oysters | [Shrieking]. |
Walrus | That's quite enough of that I think! That's enough preliminaries! Here's the performance you've been waiting for proves I am without prejudice and have a fine sense of humor. |
[START OF 2D CUTSCENE OF WALRUS' POEM]. | |
Walrus | Sword and crown are worthless here, I invite everyone to dance |
[END OF 2D CUTSCENE OF WALRUS' POEM]. [START OF 2D CUTSCENE]. | |
Walrus | Time to eat! Death is the ultimate equalizer! All have the right to be eaten. |
Carpenter | Get in line creatures! All will be served, so to speak. |
Alice | Wicked thing! Feasting while Wonderland is destroyed! |
Carpenter | I am not the enemy you seek, Alice. I tried to hide this bit of Wonderland from that beast. Appeasement's never clean. We must all play our assigned roles. Are you a pawn or a queen? An idiot or a practiced fool? However this turns out, consider the prospect that you have been misled, Alice. Then ask, by whom? |
Alice | Oh no! Who set that bloody train in motion?! Where's it come from?! |
Carpenter | It arrived when you arrived! And it's more horrible even then you can currently imagine! The death of a dream! Caterpillar may know how! |
[END OF 2D CUTSCENE]. |